The band has embraced a straight-forward rock and roll sound with a socio-political narrative, in an easy way for the listeners to absorb. The trio has stayed true to the tradition without taking many risks and that’s fine as well. What is resultant is an album with straight up in your face tunes - nothing fakely polished or gift wrapped a certain way. The songs have an honest approach per se. The album starts off with a heads up riff rocker “Aawaz Navako Samaj” and you know what’s in store for you in this record. If straight up garage and alternative rock that unheeds complexities is your cup of tea then this album is bound to please you. “Paisa” comes in next with a modern rock essence that is present in all of the record. Jack White is written all over the style and approach in this one. “Darr" and "Suruwaat" are on the softer side with soothing melodies and instrumental sections for most parts of it - a different shade to the ensemble. The sound is very reminiscent of the 00s post grunge days.The latter being the closure of the album almost feels like it's the sequel to Darr. “Daman” has a big styled riff and a big sound but the process of writing is what the band wants it to be. In your face right through your door. “Gantabya” has an almost Wes Borlandish intro before giving way to the steady rock sound that the band thrives on this record. This might be the most aggressive track on the album. “Haasana” and “Kaha Pugne” follow suit as these power chord infused rockers aggressors with the first one having a fun slappy section. Though some may argue that the album is lyrically repeating what has already been said, the personal and political portrayal is combined in a much more intimate way. The arrangement is headstrong and fueled by steady drums and the narratives come from a place of unadorned desperation, from people who've long since lost patience for still using euphemisms to represent what they truly feel.