Abhyutthan's self-titled debut release is a 47-minute blast of dank, dingy, experimental rhymes. All tracks are relatively longer than conventional runtime, 'Bhootkal' hits almost 11 minutes being the longest. The song has long instrumental sections and gives a twist to the national anthem with a satirical narrative. Despite the songs being long, the band keeps the sound appealing by embracing a through-composed style of writing with contrasting sections rarely recurring and the transitions mostly attributed with change in tempo. 'Dwanda' showcases the band's essence starting with a recorded sample of heartbreaking news during Janayudha. This song has expressed their sentiments towards our collective loss in the most sincere way. All songs take a similar approach to introduction, almost always starting with a guitar-based motif which is mostly developed with layers of heavily driven riffs and/or clean chords, but sometimes abandoned as well. The rhythm aspect of the guitar being more flexible, diverse and tighter, outshines the lead playing; the latter working better as counter melodies to vocals rather than sitting in the front on its own. The vocals, though rarely harmonized, seamlessly switch between melodic and percussive roles, at times suggestive of metal, rap and almost poetry-like narrative style of delivery. The application of vocals being more multifaceted and fairly technical, it's easy to notice the one-dimensional anti-political lyricism, which turns out fine since the album is kept tight and to the point, and Abhyutthan excels in that one dimension by charging it with various moods, sometimes aggressive and other times taking a mellow approach.